A pregnant woman and her boyfriend seek a safe place to survive the uprising of the androids that have eliminated most of the human world.
Hollywood’s post-apocalyptic attempt to thrill, doesn’t hit the spot. I’m gonna keep this deliberately short. The good news is Chloë Grace Moretz. Moretz was born to become an actress thus, she is amazing no matter what kind of film she’s in. Even in films such as the Shadow in the Cloud (2020): https://kaygazpro.com/2021/01/20/shadow-in-the-cloud-2020-action-horror-war/ that had a great premise and incredibly poor development (mother against monsters vs mother against androids).
Everything else is a three-act free-fall to solid concrete. Producer/writer/director Mattson Tomlin’s film lacks the understanding of both the apocalyptic and the post-apocalyptic stage. Simple as! There is nothing more to it. It is an underwhelming idea of what would have happened if androids rebelled against the species that created them. James Cameron succeeded in providing that version of our future about thirty-eight years ago and has yet to be surpassed.
Admittedly, some handheld shots work really well, but it is the narrative that doesn’t. Other than androids’ predicament, certain human decisions and actions are far beyond understanding, such as nine-month pregnant Georgia’s decision to save Sam. That defies all wrongs of decision-making ever made in the human history of wrongs. Yeah, that much sense it makes! And I will not even get started on the countless plotholes. Shame, really. But I insist on Moretz’s amazing performance (at everything she’s in).
P.S. To every aspiring screenwriter out there – including me: Producers who constantly claim they seek perfection, innovation, and uniqueness in your scripts in order to consider it… they are lying!