A group of carpoolers will inexplicably wake up one morning in the middle of a forest, the home of a bloodthirsty cult.
Bloody and mysterious, but nothing you haven’t seen before. The dark and hostile opening sequence reeks of pending vulgar, cult-y death! The technique of cutting away to the humorous introduction of characters (future victims), but also the characters themselves constitute a… classic (American) horror story. Of course, the film is Italian so, let’s see how that translates.
Admittedly, the first bloody sequence, half an hour into the film, is going to cut your breath and make you want to avert your eyes, but chances are that you won’t. From then on, expect some more of that, but not much more in general. It is a film that you won’t be talking about past the end credits. It has been done before numerous times the last twenty years, and better: Wrong Turn (2003), Wolf Creek (2005), The Hills Have Eyes (2006), I Spit on Your Grave (2010), The Killing List (2011), The Ritual (2017), Midsommar (2019), etc. By adding all of the above into the mix, it doesn’t necessarily make the mix more flavoured. On the other hand, this merely means that it cannot be gruesomely and morbidly entertaining. And it is, just don’t expect much. Writers/directors Roberto De Feo and Paolo Strippoli and Netflix create an amalgamation of horrors with a touch of social pedantry and a hint of urban pseudo-philosophy.
The show is mostly stolen by Matilda Anna Ingrid Lutz who is a very convincing actress and, inarguably, one of the hottest women in the film industry. Coincidentally(?), she’s the leading actress of Revenge (2017), portraying a woman who suffers a vicious physical and sexual attack (and takes a bloody revenge after that). Exploitation film finds its roots to the early “talkies”, right after the silent era, and it seems that almost a hundred years later still sells. I guess, for as long as there is a demand there’ll always be a supply. Even though I watch, analyse, and academically research films from every walk of life, I am a horror fan and watch all kinds of horrors. But, if one day that sub-genre eclipsed, I wouldn’t miss it. The is a hideous sadomasochistic psychology behind it, making it the harbinger of snuff films. But that is a different discussion for a different place.