Two older siblings take care of the younger one in a way that consumes them both physically and mentally.
Slow-burn, indie horror that invests in both character and story development. The gritty opening sequence captures the audience’s attention and promises a certain level of brutality. It’s not what it looks like though. From the beginning till (almost) the end, the film does not appeal to our emotions. Acts I and II feel emotionless, as the only one who exhibits some kind of emotions is the younger one, Thomas. But, writer/director Jonathan Cuartas aims exactly for that. What the siblings have been going through for who knows how long for, has exhausted them; it has drained their lives.
Surely, using the word “drain” is somewhat ironic given what it has been revealed they are doing, and even though we think we know why they are doing it, the fact that it is not been disclosed to us, it effectively builds up the suspense and makes us wonder when and how it will be revealed, as well as how this dark journey is going to end.
The film doesn’t try to fool anyone. It is a nano-budget project that tells a very specific story. Despite the budgetary constrains, Cuartas and the leading cast, Patrick Fugit, Ingrid Sophie Schram, and Owen Campbell give heart and soul to the project and lead you to a melancholic third act that matches the (inarguably depressing) previous two. Definitely not an uplifting film and most definitely not for everyone.
Credits should also be given to the director of photography, Michael Cuartas for the meticulous mise-en-scène throughout the film and composer Andrew Rease Shaw for the haunting music on these selected sequences. Last but not least, to the film editor T.J. Nelson for not only controlling incredibly the pace and rhythm but for something else as well. Even though ‘montage’ is often characterised as ‘editing’, it is, arguably, an oversimplification. There are numerous kinds of montage that serve different purposes, the narrative’s purposes. One kind is the ‘sequential analytical montage’ where what is revealed is the beginning of an action and the end of it. When you get to see the end, your mind fills the gaps with what happened in between. For example, if you see in one shot two cars speeding up against one another and in the next shot the two cars crashed onto each other, you can picture in your head how it happened. Orrrrrrr, when you see in one shot someone who his throat is about to be slit and in the next shot an amount of blood been stored and served…