On the brink of death, a young alcoholic and drug dependent is sent to rehab to confront his addictions, but also the demons inside him.
Realistic enough approach with no easy ways out. The opening sequence tells it all. It is the alpha and the omega of life as an addict. The beginning of life’s end as we know it. But as the addict doesn’t. Not yet. Not until they actually die.
Wrtier/director Sam Taylor-Johnson introduces James’ personal calamity in a quite graphic way, but she clearly makes her point. Upon making it though, she focuses on the calamity’s solution, the rehab, and sinks her teeth in it. The film’s strong suit is that it doesn’t make it easy; neither for the addicts involved nor for the audience. The visuals are visceral and don’t hold back because the narrative doesn’t hold back. It is restricted as it starts from the end. It is the solution’s unbearable, soul-destroying strain that starts unfolding the problem, in glimpses, backwards. Taylor-Johnson uses the days of addiction as a means to delaying the resolution. Every time the audience thinks that James is making a step forward, she brings the past to the foreground as a moment of realisation that it is not going to be as easy as we would expect it to be. Alas, we get to witness James making two steps backwards, instead.
As for writer/actor Aaron Taylor-Johnson, admittedly, he has come a long way. From Kick Ass (2010) to today, he’s proved to be a diverse actor who puts heart and soul into everything he’s been in and A Million Little Pieces is no exception. My only distraction with portraying James Frey is that his physique doesn’t match a drug addicts’ physique so chances are that he didn’t want to give it up for the role – maybe, lose a couple of pounds. His acting is strong and he does go the extra mile on camera. Beside him, you can find David Dastmalchian, Billy Bob Thornton – shocking to see him being the sober one – as his mentor, and Odessa Young as James’ fellow messed up passenger in this horrendous journey. Giovani Ribisi deserves a special mention for he keeps surprising everyone with his diverse performances. Particularly here, the things he says and does are shocking and add to the situation’s decadence. Combining the two sequences, the one in the shower and the other handing over his daughter’s number to James, his journey, with the end remaining unknown, it is still complete.
Overall, I felt for James’ journey despite the controversy that surrounded the book after the real James Frey told the truth about it (I’m not going to go into it). It is one hell of a journey or, more accurately, one journey through hell that definitely raises awareness.
I very much hope you enjoy it, as well as this festive period.
P.S. Juliette Lewis and Charlie Hunnam are in it as well, but I found their presence indifferent so, I’ll refer to them when I have something nice to say.