A man who just came out of prison is trying to rehabilitate, but life seems to have more downs than expected.
Working-class problems and unfulfilled dreams portrayed in a disjointed way. Watching it I was trying to figure it out… I was wondering… why is it that I find it disjointed? Halfway there, it somewhat hit me. It felt like writer/director Sabrina Doyle hasn’t experienced what she has written and directed. And, if I’m mistaken and she has, she hasn’t been able to translate it to the screen. The same applies to Pablo Schreiber and Jena Malone’s capacity as executive producers because as actors they are doing a fine job, but as producers they should have contributed, I believe, a lot more. They are really great actors, but Doyle’s script and directing ties their hands behind their backs. I honestly feel like the film misses the depth it deserves and both Schreiber and Malone shine – Schreiber especially put a lot of effort both physically and emotionally. Malone, on the other hand, is amazing as she always have been in every film she’s been in.
Regardless of what I say though, Lorelei did critically well and I couldn’t be happier about it. Sounds contradictory? I couldn’t be happier about a film doing well that deals with working class issues, second chances, and chasing dreams. And that’s what it deals with at the end of the day. The chances we have been looking for in life and we were never afforded. The dreadful questions every morning when we struggle to get out of bed; what have I done wrong or why I cannot fix it? Lorelei‘s intentions are honest and even though it could have been made differently, it still urges the viewer to go after their dreams. I hope one day we all manage to stay up all night and watch the sun rise from the ocean.