The only survivors of the 1994 incidents, in an attempt to find a way to stop the evil, meet one of the survivors of the 1978 incident who remembers the horror.
Great modern, pop horror/comedy flick that entertains! Part Two resembles a lot more the 70s than Part 1 does the 90s. I guess cinema (technologically) evolves and it can’t really reenact the past. The vintage look seems to be just… gone. But then the atmosphere cannot fully be accurate either. Most likely, because very few from the cast and crew were alive or old enough to remember how people were talking or acting. There are film archives and means to find out but, as of yet, it seems that this accuracy will always be missing. I guess yet another reason will always the consideration of the audience. If it was ‘too 70s’ who would watch it?! Netflix seems to have established a particular audience already. It may be socially diverse but otherwise it looks quite narrowed down. Just in case you feel like casting stones, I have already surfaced and will keep surfacing exceptions that are shock to the system – especially its documentaries.
Focusing more on the film, as I kind of mentioned above, Part Two is entertainingly brutal! McCabe Sly makes a decent possessed/psycho ‘axe-man’ and Saddie Sink and Emily Rudd great on-screen sisters that face their personal demons way before the ‘axe-man’ starts taking heads off and everyone starts running amok. Overall, the sub-plot smoothly permeates the plot and both of them patiently escalate and lead to climax. The references to Stephen King (and ‘Shining’, for whoever got it), Friday the 13th series, and a couple of more that I cannot reveal, indicate the hard work that the crew has put into it to give us a good-feel, ‘throwback-style’ horror. Indicative, composers Marco Beltrami and Brandon Roberts have done an excellent job with the soundtrack, paying a great tribute to the one and only Jerry Goldsmith.
There are a few flaws that I could pick on as there are numerous strengths that I could point out (such as the sisters/climax scene). But I’m not gonna do it. Leigh Janiak seems to have a lot of passion for what she does and she does it well. Watch it, enjoy it, and… onto Part Three!
P.S. It was great seeing Gillian Jacobs and Ryan Simpkins again in the same movie. Especially, after their stellar performances in the brilliant and underrated Gardens of the Night (2008): https://kaygazpro.com/2020/09/17/gardens-of-the-night-2008-drama/