After his wife is kidnapped by terrorists, a war hero races against time to get her back.
I’ve written before about opening sequences and protracted shots and I’ve said that they raise the bar high for what comes next. In Redemption Day what comes next is, unfortunately, too American and too cliché for my standards so, it becomes the exception to the rule. Regarding the narrative, everything you are expecting to happen, does happen, the time you expect it to happen. There are no twists or no difficulties in completing the mission, really. The characters are forgettable, with the “good” ones being highly skilled, and the “bad” ones highly incompetent and stupid which makes an extreme disanalogy. The dialogue is worse than the “bad” ones mentioned above so, no further comment. Then, directing, acting, choreography, and editing, are mediocre, at best.
My distaste for the film has nothing to do with anything I’ve mentioned so far though. People do what they can, with what they have. My distaste is because of its propagandistic intentions. The film’s oversimplification of who is “good” and who is “bad” is borderline insulting. The world doesn’t work this way and Islam, or any other religion for that matter, has nothing to do with the monstrosities the human species is capable of. That is something that the film is trying hard to show but fails to do so.
I would prefer if co-writer/director Hicham Hajji made a film on the two innocent, young, female, Scandinavian hikers who were found beheaded in Morocco two years ago. That would be a challenge, wouldn’t it? No superfluous heroism, no formulaic scripts, no childish gunfights, no need for constant background music to dictate to the audience how to feel, and no goddamn propaganda that nobody needs. Filmmaking should be, among others, challenging, intriguing, and innovating. As fun and entertaining the days of Commando (1985) may have been, they are long gone and all of us have moved on. I hope some studios do the same.
P.S. Andy Garcia has no place in this film.