Come Play (2020): Drama / Horror / Mystery

A creature called Larry, which uses mobile devices as portals, seeks to take an autistic kid back to the world it comes from.

The logline is not promising. We are talking about a creature that manifests itself through phones and tablets if one reads its illustrated story, blows fuses, and it’s called “Larry”. If that is not a millennials’ thing, I don’t know what is…

Where do I begin here…

  • Coming out of phones and tablets?! And a bit of a spoiler here, through TV programs chooses films to speak! I wish I knew what to say…
  • Who, how, and why wrote that illustrated that story? How did it circulate to other devices? And why now?
  • The “fuses” part is somehow explained but… called “Larry”?! Larry?!?!

Script aside, the filmmaking style is a pure homage to Tob Hooper (or Steven Spielberg) and Poltergeist (1982) and it’s a great feel seeing the low angle dolly shots, the protracted shots, the Dutch Angles, to say but a few, in a house that could have been haunted or include an old-fashioned monster. The experience of the horror through a kid’s eyes, especially autistic, would be something that would get my undivided attention in the blink of an eye. Young, Azhy Robertson is really great! Writer/director Jacob Chase does a brilliant job with the camera even though not with the typewriter. He adapts his own homonymous short horror Larry (2017) – which I haven’t watched – and, apparently, quite a lot of people liked it. Fair enough. Gillian Jacobs, other than obviously being an incredible woman, she’s an also incredible actress. If you haven’t watched Gardens of the Night (2008) you should definitely do so: https://atomic-temporary-153424946.wpcomstaging.com/2020/09/17/gardens-of-the-night-2008-drama/

To conclude, the directing is impressive, the acting is brilliant, the jump-scares not always necessary, and the script for people who never knew life without a phone.

Stay safe!

P.S. What about Spongebob, right?

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